The Architecture of the Scottish Medieval Church, 1100-1560
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Richard Fawcett
The first in-depth survey of Scotland's medieval church architecture covers buildings constructed between the early 12th century and the Reformation in 1560. From majestic cathedrals and abbeys to modest parish churches and chapels, Richard Fawcett places the architecture in context by considering the varied sources of ideas that underlay church designs. Over the centuries, Scottish patrons and their masons moved away from a close relationship with England to create a unique late medieval architectural synthesis that took ideas from a wide range of sources. The book concludes with an account of the impact of the Reformation on church construction and design.
Published for the Paul Mellon Centre for Studies in British Art
“[In] this handsomely illustrated survey Fawcett takes in the entire range of medieval religious foundations from abbeys and cathedrals through village churches to tiny chapels.”—The Scotsman
“Richard Fawcett’s latest book is a profusely illustrated (400 plates) and beautifully presented overview and re-evaluation of a long neglected period in Scotland’s architectural history…..The Architecture of the Scottish Medieval Church provides a highly welcome challenge to received thinking about the place of church building in Scotland’s distinctive architectural heritage. It is an inspiration for those of us fortunate to be surrounded by some of the vestiges, as it will be to researchers who will be prompted to test Fawcett’s interpretations further.”—Dennis Rodwell, Cornerstone
“Fawcett’s ambitious undertaking is a success, proven in this beautifully illustrated, superbly produced, comprehensive survey, which as the first study of its kind, properly gets to grips with Scotland’s overwhelmingly engaging architectural history.”—Emma J Wells, The Society for Medieval Archaeology
“….. [A] splendid book….a notable work of scholarly synthesis....Full of riches.”—George Harris, History Teaching Review
Publication Date: March 22, 2011
Publishing Partner: Published for the Paul Mellon Centre for Studies in British Art
300 b/w + 100 color illus.