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David Armstrong

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Among the greatest names in Roman—and European—poetry has always been that of Horace.  Through all the centuries since his death in 8 B.C., his superb poetic craftsmanship has remained unassailable.  Yet the full range and depth of his humanity continue to prove curiously elusive, especially for the nonspecialist reader to whom above all this book is directed.  In the days when Latin was generally read, Horace was too often seen as the poet of establishments, whether the establishment involved was the imperial Roman court, the aristocracy of Augustan England, or the nineteenth-century educational system, and something of that reputation has lingered on even into our own day. 
To see him thus is the entire aim of David Armstrong’s new study.  From it emerges not just the illustrious master (“famous, calm, and dead”) in the arts of lyric and satiric poetry, but the freedman’s son who struggled through the terrible upheavals of the collapsing Roman Republic to become, by sheer force of genius, a member of the brilliant circle surrounding the Emperor Augustus.  To the very end of that adventurous career on the fringes of power, Horace retained an extraordinary candor, independence, and common sense.  It is as the ultimate critic and connoisseur, not merely of literature but also of love and life itself, that he surveys the Augustan scene: the tragicomedy of bisexual politics in the demi-monde, the pretentious fashions of middle-class dinner parties, the pomposity of jurists and philosophers, the idiocies of the literati, and not least the grandeur and terror of a novel political entity—an empire almost coextensive with the known world.  The poetry thus restored to life proves to be a poetry for all thinking and feeling people. 

"Complex. . . . What Armstrong brings out especially well is the creative energy, the sheer fun of being Horace when he wrote the Satires and Epodes."—Kenneth Reckford, Arion

"David Armstrong’s Horace . . . establishes the undiminished stature of the poet viewed outside the protective canon of the Classics. . . . A book that should not be sampled but read through to obtain a view of Horace that is both personal and vivid."—Charles L. Babcock, Classical Outlook

"The book throughout is readable yet learned. . . . Students . . . will find much that is informative and thought-provoking in Armstrong’s book."—Marianthe Colakis, Classical World

"A readable general treatment of Horace for the nonspecialist and possibly the undergraduate."—Choice

"The Hermes series of handbooks offers convenient, popular and authoritative accounts of the careers of the greatest writers of antiquity. Blending critical biography and literary criticism, these guides hope to encourage a 'dialogue' between modern readers and classical masters; to achieve this they eschew most scholarly apparatus—there are no footnotes and everything is translated—and opt for a certain expository daring, as when Armstrong calls Horace not only a poetic genius and a 'liberating influence in the history of thought' but also 'one of the most successful arrivistes in Roman social history.'"—Washington Post Book World


"[This is a] book which is intended for the specialist but can be read with profit by all classics students. . . . It convincingly presents Horace as evolving through struggle and jeopardy to become a poet of integrity—candid, astringent, and independent. . . . The secret of [this book's] success lies in its observation, perspective, and a selectivity that avoids the hackneyed."—Charles Garton, History: Reviews of New Books
ISBN: 9780300045734
Publication Date: September 10, 1989
192 pages, 5 1/2 x 8 1/4
Hermes Books Series

Sara Mack; Edited by John Herington

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Robert Lamberton

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D. S. Carne-Ross

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John Herington

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Vivante, Paolo

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Robert Lamberton; Foreword by John Herington

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