Constructed Abstract Art in England
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A Neglected Avant-Garde
Alastair Grieve
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Format: ClothPrice: $50.00
Much admired as a realist painter, English artist Victor Pasmore surprised the art world in 1948 by suddenly directing his efforts toward the making of constructed abstract art. Pasmore was followed by Kenneth and Mary Martin, Adrian Heath, and the sculptor Robert Adams, and the group was later joined by John Ernest and Gillian Wise. This book follows the development of this major avant garde group and explores why they have received so little attention until now.
Alastair Grieve draws on personal discussions with these artists over many years and on extensive archival materials, including ephemeral catalogues which are difficult to find today. He offers much new information about the group and their theories, the Continental roots of their constructed abstract art, and their links with such contemporaries as American relief artist Charles Biederman and English constructivist Stephen Gilbert. The book features over 300 illustrations, many in color, and a full chronology and bibliography.
Published for the Paul Mellon Centre for Studies in British Art
"... this book re-establishes its subject and informs us about it as nothing has done previously. Beautifully written and produced..."---Burlington Magazine
“The author’s combined use of archival materials, personal interviews, and contemporary criticism creates a rich insight into the creative processes investigated by this group of constructivist artists and their influence upon one another. . . . Highly recommended.”—Choice
"[Grieve's] personal dialogue over time with many of the artists concerned and his measured assessment of their work will ensure that this handsomely produced book...will be the authoritative voice on the subject for some time to come." - Robert Radford, The Art Book, February 2006
"...an important book, and an indispensable resource for anyone interested in its subject or the period...a long overdue document." - Sam Gathercole, Art History
Publication Date: June 10, 2005
Publishing Partner: Published for the Paul Mellon Centre for Studies in British Art
150 b/w + 150 color illus.
