Gothic Sculpture
WARNING
You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience: https://www.yalebooks.com
Paul Binski
View Inside
Format: HardcoverPrice: $55.00
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.
In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a “poetic.” Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts.
Published in association with the Paul Mellon Centre for Studies in British Art
Paul Binski is professor of the history of medieval art at Cambridge University.
ISBN: 9780300241433
Publication Date: June 25, 2019
Publishing Partner: Published in association with the Paul Mellon Centre for Studies in British Art
Publication Date: June 25, 2019
Publishing Partner: Published in association with the Paul Mellon Centre for Studies in British Art
296 pages, 7 1/2 x 10
100 color illus.
100 color illus.
ADDITIONAL MATERIALS
