In the Olden Time


You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience:

Victorians and the British Past

Andrew Sanders

View Inside Format: Cloth
Price: $50.00
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.

In this richly textured and wide-ranging survey of Victorian attitudes to the past, Andrew Sanders builds on Roy Strong’s groundbreaking book And when did you last see your father?: The Victorian Painter and British History (1978). Sanders explores the essentially literary nature of Victorian history writing, and he reveals the degree to which painters were indebted to written records both fictional and factual. Starting with a stimulating comparison of Queens Elizabeth I and Victoria, In the Olden Time examines works by poets and painters, essayists and dramatists, architects and musicians, including Jane Austen, John Donne, William Shakespeare, and John Soane. Together with a study of religious history as seen through the eyes of architect and critic Augustus Pugin and journalist William Cobbett, this book offers an original view of Victorian responses to British history, presenting a fresh investigation of unexpected Victorian attitudes and the establishment of particular 20th-century prejudices and bias.

Andrew Sanders is emeritus professor, department of English, Durham University.

In the Olden Time is a beautifully written and illustrated book, notably with little-known paintings such as Paul Delaroche’s Strafford on his Way to Execution  and Cromwell Uncovering the Coffin of Charles I, showing the dictator taking a last peek at the king. One of the joys of this book is the range of material shown from private collections and neglected municipal galleries that are clearly worth a visit.”—Jad Adams, History Today,

“Andrew Sanders’s book. . .as well as calling up a host of images from the Victoria era, challenges our own way of viewing, changing, cleansing and rose-tinting the past. It is an example of Yale University Press at its lavish best with superb colour illustrations”—A. N. Wilson, Times Literary Supplement

‘Sanders’s book is a visual feast and a pleasure to read’—Tom Ashley, The Victorian

“Sanders explores the ways in which retro styles and subject were used to highlight the Victorian progress. . . This beautifully illustrated book focuses on both literary reception of literary forebears and on Victorian paintings of historical and literary subjects.“—Adela Pink, SEL
ISBN: 9780300190427
Publication Date: June 25, 2013
Publishing Partner: Paul Mellon Centre for Studies in British Art
344 pages, 7 1/2 x 9 1/4
80 color + 20 b/w illus.