The Poetry of Pop
WARNING
You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience: https://www.yalebooks.com
Adam Bradley
View Inside
Format: HardcoverPrice: $28.00
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.
Also Available in:
Paper
Out of Print
From Tin Pan Alley to the Beatles to Beyoncé, "Mr. Bradley skillfully breaks down a century of standards and pop songs into their elements to reveal the interaction of craft and art in composition and performance.” (The Wall Street Journal)
Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
Adam Bradley is professor of English and founding director of the Laboratory for Race & Popular Culture (RAP Lab) at the University of Colorado Boulder. He is the author of Book of Rhymes: The Poetics of Hip Hop and coeditor of The Anthology of Rap.
ISBN: 9780300165029
Publication Date: March 28, 2017
Publication Date: March 28, 2017
424 pages, 6-1/8 x 9-1/4
13 b/w illus.
13 b/w illus.
