Cubism in Color

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The Still Lifes of Juan Gris

Edited by Nicole R. Myers and Katherine Rothkopf; With contributions by Anna Katherine Brodbeck, Christine Burger, Harry Cooper, Paloma Esteban Leal, Nicole R. Myers, and Katherine Rothkopf

View Inside Format: HC - Paper over Board
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Restoring a “perfect painter” to the Cubist canon

Juan Gris (1887–1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a “perfect painter,” Gris’s pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist’s short yet prolific career, illuminating his boundary-pushing contributions to Cubism.
 
As a thorough examination of Gris’s still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris’s aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris’s elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art.


Distributed for the Dallas Museum of Art and The Baltimore Museum of Art


Exhibition Schedule:

Dallas Museum of Art
(March 14–July 25, 2021)

The Baltimore Museum of Art
(September 12, 2021–January 9, 2022)

Nicole R. Myers is the Barbara Thomas Lemmon Senior Curator of European Art at the Dallas Museum of Art. Katherine Rothkopf is The Anne and Ben Cone Memorial Director of the Ruth R. Marder Center for Matisse Studies and senior curator of European painting and sculpture at The Baltimore Museum of Art.

EXHIBITION SCHEDULE

Dallas Museum of Art
(March 14–July 25, 2021)

The Baltimore Museum of Art
(September 12, 2021–January 9, 2022)
ISBN: 9780300254228
Publication Date: April 20, 2021
Publishing Partner: Distributed for the Dallas Museum of Art and The Baltimore Museum of Art
184 pages, 9 x 11
90 color + 5 b/w illus.
ADDITIONAL MATERIALS
Cézanne and American Modernism

Gail Stavitsky and Katherine Rothkopf; Essays by Ellen Hand

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Picasso and Braque

The Cubist Experiment, 1910-1912

Eik Kahng, Charles Palermo, Harry Cooper, Annie Bourneuf, C

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Make It New

Abstract Painting from the National Gallery of Art, 1950–1975

Harry Cooper; With contributions by David Breslin and Matt

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Edward Ruscha

Catalogue Raisonné of the Works on Paper, Volume One: 1956–1976

Edited by Lisa Turvey; With a contribution by Harry Cooper

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The Cubism Seminars

Edited by Harry Cooper

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