First Nights at the Opera
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Thomas Forrest Kelly
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Format: PaperPrice: $30.00
A behind-the-scenes look at the premieres of five extraordinary operas
What was it like at the opening night of Mozart’s Don Giovanni or Wagner’s Das Rheingold? This glittering introduction to the world of opera takes us behind the scenes during premiere performances of five extraordinary operas.
"A rare and wonderful cultural history."—Philip Kennicott, Washington Post
“An absorbing tangle of minutiae about performing circumstances, personalities, conventions, expectations, critical responses, gossip. . . . This book is readable. Addictively.”—Michael White, Opera Now
“This thoroughly enjoyable and informative book will delight all opera lovers; highly recommended.”—Library Journal
Thomas Forrest Kelly is Morton B. Knafel Professor of Music at Harvard University.
“Kelly did his homework for this interesting book. . . . This well-written and thoroughly documented volume will be valuable and enjoyable for readers at all levels. Essential.”—Choice
"The recounting of the plots is enlivened by the insertion of many interesting anecdotes and asides; numerous illustrations bring the texts to visual life. . . . This book is history from a unique perspective."—David L. Kirk, Fanfare
“This is instructive cultural history—and wonderful fun.”—Harvard Magazine
“This thoroughly enjoyable and informative book will delight all opera lovers; highly recommended.”—Library Journal
"The research is leavened by fascinating anecdotes and glorious first-hand accounts, and the five sections, each dealing with a single opera, are almost like novellas in themselves, peopled by temperamental prima donnas, sharkish entrepreneurs, stress-fuelled composers, wheedling critics and incredibly demanding audiences."—Ashutosh Khandekar, Music Teacher
"An absorbing tangle of minutiae about perfomring circumstances, personalities, conventions, expectations, critical responses, gossip. . . . This book is readable. Addictively."—Michael White, Opera Now
"Kelly's approach . . . is determinedly innovative."—Christopher Hatch, Opera Quarterly
“This remarkable detailed social history, written by a Harvard professor of music, is filled with the drama of opening nights, behind the scenes and in the audience, with sketches of the citys and the concert hall milieus, the impresarios, the composers and the conductors, and the singers charged with performing the music for the first time, followed by reports of the critical response, both popular and journalistic. The text is augmented by copious black-and-white illustrations, selections from relevant correspondence and a discography of recommended recordings.”—Linda Rosenkrantz, San Diego Union-Tribune
"First Nights at the Opera takes us into territory many of us enjoy exploring."—Theatre Notebook
"A rare and wonderful cultural history."—Philip Kennicott, Washington Post
“A well-organized, highly readable volume that is difficult to put down. . . . [Having all the information] in one volume is something any reasonably knowledgeable follower of opera, world and social history, and geography, among the numerous subjects covered, will think a fine thing indeed. . . . The many personalities represented . . . come across strongly. . . . Informative and entertaining.”—Michael Mark, American Record Guide
Publication Date: May 28, 2006
88 b/w illus.
