James Gillray


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A Revolution in Satire

Tim Clayton

View Inside Format: Hardcover
Price: $65.00
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A lavishly illustrated biography of James Gillray, inventor of the art of political caricature
James Gillray (1756–1815) was late Georgian Britain’s funniest, most inventive, and most celebrated graphic satirist and continues to influence cartoonists today. His exceptional drawing, matched by his flair for clever dialogue and amusing titles, won him unprecedented fame; his sophisticated designs often parodied artists such as William Hogarth, Joshua Reynolds, and Henry Fuseli, while he borrowed and wittily redeployed celebrated passages from William Shakespeare and John Milton to send up politicians in an age—as now—where society was fast changing, anxieties abounded, truth was sometimes scarce, and public opinion mattered.
Tim Clayton’s definitive biography explores Gillray’s life and work through his friends, publishers—the most important being women—and collaborators, aiming to identify those involved in inventing satirical prints and the people who bought them. Clayton thoughtfully explores the tensions between artistic independence, financial necessity, and the conflicting demands of patrons and self-appointed censors in a time of political and social turmoil.
Distributed for the Paul Mellon Centre for Studies in British Art

Tim Clayton is a historian and writer. He is a specialist in eighteenth and early nineteenth-century history and culture, and is a leading authority on the printed images of that period.

James Gillray: A Revolution in Satire describes not just the caricaturist’s life and tragic end as creeping insanity took hold, but also the bracing effect he had on the art of satire itself.”—Michael Prodger, The Times, “Top 10 Art Books”

“Mr. Clayton’s well-researched . . . study makes a strong case for Gillray as the creator of a genre of graphic art—and as a forceful commentator. . . . [The] selection takes readers on a journey through Georgian politics and society with a guide who spared no one . . . and reminds us just how potent satire can be.”—William Anthony Hay, Wall Street Journal
ISBN: 9781913107321
Publication Date: November 29, 2022
Publishing Partner: Distributed for the Paul Mellon Centre for Studies in British Art
408 pages, 9 3/4 x 11 3/8
205 color + b/w illus.