Aleksandr Zhitomirsky
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Photomontage as a Weapon of World War II and the Cold War
Erika Wolf
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The first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon
The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat.
In this comprehensive, image-driven account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.
The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat.
In this comprehensive, image-driven account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.
Distributed for the Art Institute of Chicago
Exhibition Schedule:
Art Institute of Chicago
(09/03/16–01/10/17)
Erika Wolf is associate professor of history and art history at the University of Otago, New Zealand.
EXHIBITION SCHEDULE
Art Institute of Chicago
(09/03/16–01/10/17)
“Wolf’s multifaceted volume helps us better understand the evolution of propaganda across the entirety of the Soviet experiment.”—Stephen M. Norris, Russian Review
ISBN: 9780300219180
Publication Date: October 3, 2016
Publishing Partner: Distributed for the Art Institute of Chicago
Publication Date: October 3, 2016
Publishing Partner: Distributed for the Art Institute of Chicago
368 pages, 9 x 12
300 color illus.
300 color illus.
