Richard Serra Drawing

WARNING

You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience: https://www.yalebooks.com

A Retrospective

Edited by Gary Garrels, Bernice Rose, and Michelle White; With contributions by Lizzie Borden, Magdalena Dabrowski, Gary Garrels, Bernice Rose, Richard Serra, Richard Shiff, and Michelle White

View Inside Format: Cloth
Price: $50.00
YUP
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice.

First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.



Distributed for The Menil Collection


Exhibition Schedule:

The Metropolitan Museum of Art(04/11/11-08/28/11)

San Francisco Museum of Modern Art (10/15/11-01/16/12)

The Menil Collection (03/02/12–06/10/12)

Lizzie Borden is a filmmaker and writer based in Los Angeles. Magdalena Dabrowski is a Special Consultant for Modern and Contemporary Art at The Metropolitan Museum of Art in New York. Gary Garrels is the Elise S. Haas Senior Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Bernice Rose is the Chief Curator of the Menil Drawing Institute and Study Center. Richard Shiff is the Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas at Austin. Michelle White is Associate Curator at the Menil Collection.

EXHIBITION SCHEDULE

The Metropolitan Museum of Art(04/11/11-08/28/11)


San Francisco Museum of Modern Art (10/15/11-01/16/12)


The Menil Collection (03/02/12–06/10/12)

ISBN: 9780300169379
Publication Date: June 14, 2011
Publishing Partner: Distributed for The Menil Collection
232 pages, 9 1/2 x 11 3/4
160 quadratone illus.
Barnett Newman

A Catalogue Raisonné

Richard Shiff, Carol C.

...
View details
The Repeating Image

Multiples in French Painting from David to Matisse

Edited by Eik Kahng; With contributions by Stephen Bann, Si

...
View details
Mark Bradford

Christopher Bedford; With contributions by Hilton Als, Caro

...
View details
Vija Celmins

Television and Disaster, 1964-1966

Franklin Sirmans and Michelle White

View details
Chinati

The Vision of Donald Judd
Second Edition

Marianne Stockebrand; With contributions by Rudi Fuchs, Don

...
View details
Byzantine Things in the World

Edited by Glenn Peers; With essays by Charles Barber, Henri

...
View details