After Sir Joshua

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Essays on British Art and Cultural History

Richard Wendorf

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Following in the methodological footsteps of his prize-winning Sir Joshua Reynolds: The Painter in Society, Richard Wendorf’s new book on British art in the eighteenth and nineteenth centuries is an experiment in cultural history, combining the analysis of specific artistic objects with an exploration of the cultural conditions in which they were created.

Themes include an investigation of what happens when a painter dies, the role of writing around and within visual objects, and the nature of evidence in art history. Extended interpretations of some of the most iconic images in British art, including Constable’s Cenotaph, Raeburn’s Skating Minister, Stubbs’s Haymakers and Reapers, and Rossetti’s Prosperpine, Venus Verticordia, and Blessed Damosel, are part of a broader investigation of the ways in which we practice art history today.



Published for the Paul Mellon Centre for Studies in British Art

Richard Wendorf is Stanford Calderwood Director and Librarian, The Boston Athenæum.
ISBN: 9780300107340
Publication Date: September 28, 2005
Publishing Partner: Published for the Paul Mellon Centre for Studies in British Art
180 pages, 7 x 10
26 b/w + 16 color illus.
ADDITIONAL MATERIALS

Studies in British Art
The Evolution of English Collecting

The Reception of Italian Art in the Tudor and Stuart Periods

Edited and introduced by Edward Chaney

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Notorious Muse

The Actress in British Art and Culture 1776–1812

Edited by Robyn Asleson

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Those Delightful Regions of Imagination

Essays on George Romney

Edited by Alex Kidson

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Frederic Leighton

Antiquity, Renaissance, Modernity

Edited by Tim Barringer and Elizabeth Prettejohn

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Towards a Modern Art World

Studies in British Art I

Edited by Brian T. Allen

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Albion's Classicism

The Visual Arts in Britain, 1550-1660

Edited by Lucy Gent

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