Reading American Art
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Edited by Marianne Doezema and Elizabeth Milroy
Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O’Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
"For a broad survey course on American art, this anthology is a terrific resource. Its articles are well chosen, comprehensive, and representative of the state of research in the field."—Sarah Burns, Indiana University
"This anthology of important recent texts—some already classics, some sure to become so—provides a valuable introduction to the issues and approaches that enliven American art scholarship today. A useful companion to a survey text, it is handy for the teacher, indispensable for the student."—Charles C. Eldredge, University of Kansas
"A much needed, thoughtfully chosen array of influential essays that will introduce students to the many ways of approaching American art."—Professor Jeffrey Hayes
"This is a rich resource on American art, providing in-depth analyses of artworks and various methodologies employed in the field. "—Vivien Greed Fryd
Publication Date: June 16, 1998