The English Journey
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Journal of a Visit to France and Britain in 1826
Karl Friedrich Schinkel; Edited by David Bindman and Gottfried Riemann
Price: $50.00
The journal is important for several reasons. It marks a crucial point in Schinkel's career, for it represents the beginning of his serious involvement with the new technologies that provided him with ideas for his later architecture. At the same time the journal gives a unique picture of Regency Britain as seen by a foreign architect. Sites that no longer exist in London, Oxford, Edinburgh, as well as in the potteries, the Menai straits, and the industrial towns and workshops of northern Britain, are recreated here through Schinkel's discussions and drawings, among the very few surviving records of the face of Britain at that time.
The journal, which is accompanied by a full introduction and critical and explanatory notes, is part travelogue and part cultural critique. It sheds new light on British life during an important phase in the country's history.
Published for the Paul Mellon Center for Studies in British Art
"[A] superb, readable, scholarly edition—the first ever in Britain."—Michael Ratcliffe, The Observer
"[The] keys to the success of the book are the very good translation and the important introductory studies by the two editors, placing into clearer view the respective positions of the journey in Schinkel's career and alternatively Schinkel himself in relation to Britain at a time of change."—Elaine Denby, RSA Journal
"This illuminating volume is amply illustrated with Schinkel's own sketches and contemporary engravings, and the editors have provided copious footnotes alongside Schinkel's text."—James Lees-Milne, Country Life
"Enhanced by the two introductory essays and the excellence of the translation, The English Journey is an inspiring instance of a historical fragment meticulously and vividly restored to life."—Rosemary Hill, London Review of Books
Publication Date: July 28, 1993
Publishing Partner: Published for the Paul Mellon Center for Studies in British Art
220 b/w illus.