Juan de Pareja
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An Afro-Hispanic Painter in the Age of Velazquez
David Pullins and Vanessa K. Valdes; With essays by Luis Mendez Rodriguez and Erin Kathleen Rowe
Price: $50.00
A provocative study of a freedman painter that recognizes the labor of enslaved artists and artisans in seventeenth-century Spain
Diego Velázquez’s (1599–1660) portrait of Juan de Pareja (ca. 1608–1670), his enslaved studio assistant, has long been a landmark of European art. It was painted in 1650, the same year that Velázquez signed papers freeing Pareja, who then built his own successful career as a painter of religious subjects and portraits. This book—the first monograph on Pareja—revises our understanding of artistic production during Spain’s Golden Age and discusses Pareja’s ties to both Velázquez and the Madrid School of the 1660s. Highlighted works include Pareja’s monumental Calling of Saint Matthew (1661); Velázquez’s portraits produced in Rome shortly after Juan de Pareja (1650); and the manumission document granting Pareja his freedom. The essays focus on highly skilled, enslaved artisanal labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism in enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes an illustrated and annotated list of known works attributed to Pareja.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(April 3–July 16, 2023)
David Pullins is associate curator in the Department of European Paintings at The Metropolitan Museum of Art, New York. Vanessa K. Valdés is associate provost for community engagement at the City University of New York.
EXHIBITION SCHEDULE
The Metropolitan Museum of Art, New York
(April 3–July 16, 2023)
Publication Date: April 3, 2023
Publishing Partner: Published by The Metropolitan Museum of Art/Distributed by Yale University Press
100 color illus.