Petrarchan Love and the Continental Renaissance

WARNING

You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience: https://www.yalebooks.com

Gordon Braden

View Inside Format: Paper
Price: $24.00
YUP
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.

Also Available in:
Cloth

The 366 lyrics of Petrarch’s Canzoniere exert a unique influence in literary history. From the mid-fifteenth century to the early seventeenth, the poems are imitated in every major language of western Europe, and for a time they provide Renaissance Europe with an almost exclusive sense of what love poetry should be. In this stimulating look at the international phenomenon of Petrarch’s poetry, Gordon Braden focuses on materials in languages other than English—Italian, French, and Spanish, with brief citations from Croatian and Cypriot Greek, among others. Braden closely examines Petrarch’s theme of love for an impossible object of desire, a theme that captivated and inspired across centuries, societies, and languages.

The book opens with a fresh interpretation of Petrarch’s sequence, in which Braden defines the poet’s innovations in the context of his predecessors, Dante and the troubadours. The author then examines how Petrarchan predispositions affect various strains of Renaissance literature: prose narrative, verse narrative, and, primarily, lyric poetry. In the final chapter, Braden turns to the poetry of Sor Juana Inés de la Cruz to demonstrate a sophisticated case of Petrarchism taken to one of its extremes within the walls of a convent in seventeenth-century Mexico.

Gordon Braden is John C. Coleman Professor of English at the University of Virginia.
ISBN: 9780300207521
Publication Date: January 21, 2014
224 pages, 6 1/8 x 9 1/4