Edvard Munch

WARNING

You are viewing an older version of the Yalebooks website. Please visit out new website with more updated information and a better user experience: https://www.yalebooks.com

Trembling Earth

Jay A. Clarke, Trine Otte Bak Nielsen, and Jill Peppiatt; With contributions by Jay A. Clarke, Trine Otte Bak Nielsen, Jill Peppiatt, Ali Smith, and Arne Johan Vetlesen

View Inside Format: HC - Paper over Board
Price: $45.00
YUPComing Soon
Our shopping cart only supports Mozilla Firefox. Please ensure you're using that browser before attempting to purchase.

A thought-provoking volume on Edvard Munch’s often neglected pictures of nature, exploring the Norwegian artist’s landscapes, seascapes, and existential environments in light of his own time and ours

This richly illustrated catalogue provides a multifaceted perspective on the pictures of nature and landscape by Norwegian artist Edvard Munch (1863–1944). This important topic has been neglected in scholarship on Munch, despite the fact that it is a major motif in his oeuvre. This volume is the first to explore the theme in its full breadth throughout Munch’s corpus, including his paintings, lithographs, watercolors, and woodcuts. His depictions of forests, farmland, and the seashore, as well as paintings of sea storms, snow, and other extreme weather, present us with undulating forms that animate nature. They likewise provide an example of Munch’s preference for liminal spaces where transformations take place, often celebrating human interaction with nature in its many manifestations. The book also considers Munch’s less conventional landscapes, and particularly those where his famous Scream motif occurs. These environments depict nature in an existential way, suggesting that the artist held a deep concern for nature’s destruction by humans—a concern no less relevant today. A complementary look at his writings as primary sources alongside his images shows how Munch mixed a scientific perspective on nature with metaphysical and spiritual notions of rebirth that permeate other parts of his corpus.



Distributed for MUNCH


Exhibition Schedule:

Clark Art Institute, Williamstown, MA
(June 10–October 15, 2023)

Museum Barberini, Potsdam
(November 18, 2023–April 1, 2024)

Munch Museum, Oslo
(April 27–August 25, 2024)

Jay A. Clarke is Rothman Family Curator in the Department of Prints of Drawings at the Art Institute of Chicago. Trine Otte Bak Nielsen is curator at MUNCH in Oslo. Jill Lloyd-Peppiatt is an independent curator.

EXHIBITION SCHEDULE

Clark Art Institute, Williamstown, MA
(June 10–October 15, 2023)

Museum Barberini, Potsdam
(November 18, 2023–April 1, 2024)

Munch Museum, Oslo
(April 27–August 25, 2024)

ISBN: 9780300270501
Publication Date: June 27, 2023
Publishing Partner: Distributed for MUNCH
240 pages, 9 x 11
200 color illus.
Landscape, Innovation, and Nostalgia

The Manton Collection of British Art

Edited by Jay A.

...
View details
The Impressionist Line from Degas to Toulouse-Lautrec

Drawings and Prints from the Clark

Edited by Jay A.

...
View details
Machine Age Modernism

Prints from the Daniel Cowin Collection

Jay A. Clarke and Jonathan Black

View details
Vigeland + Munch

Behind the Myths

Edited by Trine Otte Bak Nielsen

View details
Omega’s Eyes

Marlene Dumas on Edvard Munch

Text by Trine Otte Bak Nielsen

View details
Nikolai Astrup

Visions of Norway

Edited by MaryAnne Stevens; With a prelude by Karl Ove Knau

...
View details