Millennial Stages
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Essays and Reviews 2001-2005
Robert Brustein
Millennial Stages records Brustein’s thinking on the important issues “roiling the national soul” at the start of the twenty-first century. His opening section explores the connections between theater and society, theater and politics, and theater and religion, and it is followed by reviews of such landmark productions as The Producers and Spamalot, Long Day’s Journey into Night and King Lear. In his final section, Brustein reflects on people and places of importance in the world of theater today, including Marlon Brando and Arthur Miller and Australia and South Africa.
“Brustein not only provides an important chronicle of an ephemeral art but also applies a historically informed and sophisticated intellect to theater criticism.”—Jonathan Kalb, Hunter College, CUNY
"As a writer, Robert Brustein is America’s most intelligent theatre critic/author."—Robert Wilson, Director
“Brustein pulls no punches, and his discerning wit frequently punctures the poseurs in the playhouse. His theater credentials inform each piece, and his erudition establishes the place of the performing arts in the larger context of post-9/11 American society. An outstanding contribution from an important cultural critic and leading American intellect; recommended.”—Library Journal
Publication Date: May 28, 2013