Charles Ives and the Classical Tradition
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Edited by Geoffrey Block and J. Peter Burkholder
Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.
"A stimulating and important contribution to Ives scholarship and to the understanding of twentieth-century music."—Larry Starr, University of Washington
"A valuable addition to Ives scholarship."—Library Journal
"Each of the essays in Charles Ives is provided with copious and detailed notes. A general index covers the entire book. This work is essential reading for scholars interested in Ives and his music."—Kathryn Bumpass, Notes
"Illuminates Ive's music by comparing it with that of other composers in Europe and the U.S. Begins with essays that examine the influences of his musical predecessors, and concludes with essays that find parallels between Ives and European contemporaries including Mahler, Schoenberg, Berg, and Stravinsky."—Reference & Research Book News
Publication Date: May 11, 1996